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The Final XOXO

I’ve long said that one of the most powerful things you can say to someone is: you are not alone; XOXO Festival has been (and continues to be, via the slack community) a space where we say that to each other. (From a previous piece I wrote on XOXO.)

Masked selfie of the author at O’hare airport, waiting to board their flight to Portland, OR

10 years after the first XOXO I attended was the last XOXO, held on August 22-24, 2024 at Revolution Hall in Portland, Oregon. I’ve talked previously (here and here) about how XOXO reflects the importance of community and in being heard and seen, as a creator who lives entirely too much online. Another common thread is the tension between the desire to connect and the hostility of many of the spaces on the internet where we seek that connection. This year’s XOXO, befitting the final one, felt even more focused on that tension. 

It was also a space all too rare these days, one that acknowledged that we are still in a global pandemic, that gathering in person carries its own set of risks, significant and sometimes life altering. We are also all changed now by the experience of that pandemic. Whatever our own personal lessons and challenges have been, we’ve all experienced a collective trauma, loss and grief a constant undercurrent, whether we are able to express or even acknowledge it or not.

One of the things that so moved me about that first XOXO was being in a space that stood apart for recognizing that the wave of harassment and toxicity hitting my industry was real, and serious, and that speaking up about it mattered. This time, the realities we were collectively acknowledging are so much larger – the pandemic, the waves of transphobia and anti-trans and anti-LGBT legislation in the US, and the genocides happening in so many places (Gaza, Ukraine, Tigray). 

I’ve done some therapy work around my CPTSD, and one of the things I’ve learned about what makes a trauma into a disorder is that trauma going unrecognized, being surrounded by people who want to deny that it is happening. And the difference between PTSD and CPTSD (‘C’ for ‘complex’) is the difference between a single traumatic event and an extended period of sustained trauma over the course of a childhood or a job or a several years long pandemic.

I don’t think one conference can counteract the impact of the constant gaslighting and denial we’ve been surrounded by, just like I don’t think one slack community can counter the challenges of surviving on a rapidly self-destructing internet run by fascist mega billionaires. But even a small panacea is worth something. It’s worth a lot to me.

I’ve had the incredible privilege of acting as a slack moderator for the XOXO slack community. It’s not usually very challenging, even when we’ve had some very challenging and emotional conversations within that community in response to the intensely challenging and emotional realities of the world we all live in. That isn’t to say it has always been easy, either; no work of building community, and working to create a safer space for the members of that community is ever going to be without its difficult and fraught moments. But it has also been another part of that panacea, a space where we don’t pretend the world is “back to normal” (whatever normal means, and however much that so-called normal was already pretty terrible), where we talk about the things that matter frankly and with vulnerability.

Being a slack moderator has also given me the opportunity to see how much the Andys care, about each other, and about the world, and about this community and the potential of the internet and the creative folks whose work lives online. Of course all of that was very apparent to me from that first XOXO ten years ago; supporting them as a slack moderator has just been witnessing that care reiterated over and over again with every new challenge that comes up in the space.

I met two of my best friends at XOXO in 2015, and now I live upstairs from them. They didn’t attend this year for a variety of reasons, but as one of them said “I got what I wanted out of it”, gesturing to me and her partner sitting on the back porch together, eating a cake that I made, as has become our Sunday afternoon ritual since I moved to Chicago. And I feel that in my bones, even though I am still getting things from it, and got many more things out of attending it this final time. My chosen family came out of XOXO, drawn by a space that had that shared ethos. I don’t think that’s a coincidence.

As I said on Bluesky, almost everything good in my life now I can trace back to XOXO – my chosen family, my lovely apartment, my life in Chicago. 

I’ve also evolved as a creator a lot since that first one. I started out attending XOXO as an indie game dev. My game Final Girls came out a few months before XOXO 2015 (the same one where I met my people) to some minor acclaim. In 2020, in the midst of the early pandemic and one of the only work crunches I’ve experienced at my current employer, I wrote my first book, a horror novella. I might go back to making games eventually, but this year my badge said “horror writer” on it. This is how I see myself now.

Photo of my badge with several pins on it, and the festival program booklet

I’m working on my fourth book now, the first book in a trilogy that I hope will be the work that first establishes my place on people’s bookshelves. There’s still a lot of work to do between now and getting there, but I have gained so much expertise and confidence in what it means to be a creator in this era that I feel certain I will get there. Eventually. As Darius Kazemi said in his 2014 talk, all I can do is keep buying lottery tickets. I’m going to keep writing and putting my writing out there and continue to build connection and community around me, both online and irl.

Charlie Jane Anders’ talk wrapped up the conference, and it was a rallying cry that will stick with me for a long time. She talked about the challenges of writing books in a country where both your books and your body are banned in many places, as well as the importance of community and joy and silliness. (Her book, Never Say You Can’t Survive, one of my favorite books on writing, has a similar message.)

I had already been planning to learn more about comedy writing to make sure that my horror had enough of that leavening, and her words only underlined the importance of honing that more. Horror is comforting to me, and what I find in it and what I hope to offer to others with it is that comfort in being seen, in someone saying “this is hard and bad and wrong” instead of trying to pretend it all away. I write horror where the wins are a result of the relationships and the community the characters are able to find for themselves in the face of terrible things. There also need to be moments of joy and silliness, a time to sit together in a hotel room and eat pizza before going back to fight the monsters, moments of shared connection that remind us why we’re here and what we’re fighting for.

This may have been the last XOXO but the community and family I have found through it will endure and sustain me for the rest of my life. Every time one of the Andys thanks me for moderating, I tell them it’s my pleasure, and it’s true, but one part of that pleasure is being able to give back to something that has transformed my life in ways I could never have imagined. 

Thank you XOXO. I will carry you with me, always.

XOXO 2018

Previous writing on XOXO: Three Years of XOXO

This year at XOXO 2018 there was a project called Dear Future Me, in which attendees were encouraged to write a postcard to themselves which will be mailed to them in August next year, before the next XOXO. I did not get around to writing a postcard to myself, partly because I had a hard time putting into words what I wanted to tell my future self. Maybe I have the words now, although they still feel too awkward and strange in my head to fit neatly on a postcard… But what I keep thinking I want to express to future me is that I hope they have learned to accept the love and friendship that now abounds in their life with more grace and less fear. I never want to lose the sense of wonder and gratitude that I have for this bounty but I would like to be a little less surprised by it.

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Three Years of XOXO

 

This weekend I would probably be in Portland, OR for XOXO like I was the last three years if there were one this year. I appreciate the Andys taking a break and although I’m missing it this year, I’m also kind of glad to have a break. It’s always a good idea to take some time to rest and/or reflect at some after major creative endeavors. Every year it has meant something different and greater than the year before and I’m sure that will continue to be true if (when) it comes back.

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I’ve decided to watch 31 horror movies this month and then write about it. You can read the previous installments here, here and here. This is the final week!

23. Darling

I’ve seen Lauren Ashley Carter described as the “Audrey Hepburn of indie horror” and I was convinced that’s true by this film alone. She absolutely carries this dark little fever dream of a horror flick, filmed in black and white about a woman acting as caretaker in a large house with a dark past and a forbidden room. It’s beautiful and strange — much more atmosphere than story, and I highly recommend it if that’s your thing (as it is mine).

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I’ve decided to watch 31 horror movies this month and then write about it. You can read the previous installments here and here.

16. The Stendhal Syndrome

I had intended to focus on mostly Giallo this week but this movie disturbed me so much that I was reluctant to go further down that route. Although I am generally a fan of Giallo in general and Dario Argento in particular, I just kept thinking about the fact that he was filming his daughter in incredibly sexualized rape scenes, which just feels so creepy to me.

Asia Argento in a blonde wig

The title is a reference to an actual condition where a person has an extremely intense response to an experience, particularly art — and the movie opens with Asia Argento’s character, police detective Anna Manni, being affected by it while in the midst of pursuing a serial killer/rapist. She’s captured by this killer multiple times and the focus of the movie is really on how this affects her, which was an interesting spin, despite the creepiness.

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I’ve decided to watch 31 horror movies this month and then write about it. You can read part 1 here. For this week I decided to watch non-Western horror, which really ended up being just Japanese horror. I had added a few Korean films to my list but I didn’t get around to watching any of them so maybe next week (though I’m also planning to throw in some Giallo — Dario Argento, Mario Bava, etc). I was also struggling with insomnia this week which meant I was tired and didn’t have as much time and energy to watch stuff, so I ended up watching fewer movies and towards the end I switched back to American stuff.

9. Alter Ego

“From Takashi Shimizu, director of The Grudge and Ju-On horror films” — according to Amazon. Takashi Shimizu is one of my favorite horror directors of all time, and I was a bit surprised to find something of his that I hadn’t seen already. When I realized he didn’t direct it, I understood; the actual director is Issei Shibata, someone I’ve never heard of and who has only three directing credits. This is a pretty silly movie, about three models who are doing a fashion shoot with some creepy old men at an abandoned (haunted) school. The special effects are mostly ridiculous video effects, like distorting the characters’ faces when they’re manifesting the evil.

I don’t have anything against direct to video — the original Ju-On (The Grudge) was direct to video as well, and it was one of the first horror movies to scare me in a long time. This is no Ju-On, however. It’s a terrible silly movie.

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I’ve decided to watch 31 horror movies this month and then write about it. Here are all of the movies I watched in the first week of October, in chronological order.

1. The Exorcist

Normally I have a “no Christian mythology” rule for my horror, which is why I hadn’t seen The Exorcist before. I didn’t end up finishing it before it left Netflix, but I saw enough to feel like my rule was warranted. We have an “ancient evil” unearthed in Iraq, a beleaguered single mom/actress (played by Ellen Burstyn) who sees her once loving and cheerful daughter literally possessed by demons. I’m sure a lot has been written about the movie as an analogy for the ways mother/daughter relationships can become problematic as puberty approaches but I don’t think that’s particularly interesting.

 

The thing that surprised me the most about this movie was how much of it ends up being medical/body horror, as they perform various tests on Regan to find out what’s wrong — including a “spinal tap” that looks a lot more like “let’s stick a tube in your jugular.” Following that, there’s a conversation with one of the doctors about whether to consult a psychiatrist or not and he says “let’s explore all of the medical avenues before we start looking at somatic possibilities” which I just found to be a fascinating statement. I would hope that some thirty years later we have a better understanding that there isn’t a sharp bright line between psychiatric issues and so-called medical issues.

 

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One of the things that can make accusations of abuse or rape or other consent violations really confusing is that it is a very common tactic for both parties to make similar accusations. I saw someone asking the other day how to tell where the truth is in such cases.

I don’t have a magic answer for you, but I can tell you the guideline I use which I feel fairly confident in (aside from my own instincts which are quite good) — look for the goals. Abusers want power over — they want to continue to control or destroy their target. So they will claim abuse as a justification for continuing to hound/monitor/dox/harass the person they claim is an abuser. Most of the time, victims want to be left alone. They want to be safe. They don’t want any further interaction with their abuser.

So if someone is claiming abuse but the only acceptable resolution is total elimination of the target? That’s abuse.

To be clear, no one should be forced to interact with anyone that makes them feel unsafe for any reason.

Also, please note that I am speaking in broad strokes here. This is a guideline, not a rule — use your judgment. I’m sharing this because I’ve seen this tactic used enough times to turn people against a target (this is how gamergate began, for instance) and the mantra of “believe victims” is turned against victims themselves.

Originally published on Medium.

I should probably be writing a “favorite games of 2015” post, but uh, I didn’t actually play a lot of games. Her Story (highly recommended, btw), The Beginner’s Guide, some of Dragon Age: Inquisition, and some World of Warcraft. Not much of a list, eh? What I did do was listen to a lot of podcasts. What follows is a list of my favorites, organized by topic and otherwise in no particular order.

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